Albright-Knox Visit #1
The
artworks that had the biggest impact on me were The Marvelous Sauce and Convergence,
each for completely different reasons. With The Marvelous Sauce, I love
the realistic nature of the painting and superb attention to lighting detail
because it inspires me to want to paint in the same style. The Marvelous
Sauce reminds me of Norman Rockwell’s style, which I wish I could emulate.
Also, the ornate gold frame that the painting is in could be its own artwork
since it is so beautifully intricate.
Convergence,
on the other hand, made such an impression on me because I never knew it was so
huge. Standing under the painting is so much different than seeing it in
a textbook, which is when I realized how important it is to see artwork in a
gallery, in person. As I stood noticing the irregularity of the paint drips, I
realized that the painting is full of energy because of its erratic lines
flowing in every direction. I am starting to appreciate non-representational
art and Convergence helps me to see what is so interesting about
abandoning realism.
Orange
and Yellow is another non-representational
artwork which towers over me and one which I feel a connection to. Some of the
colors in Orange and Yellow are what I used when creating my logo
because of the warm, upbeat feeling that they inspire in me. When I look at this
painting, all I can feel is optimistic, which is why it resonates with me.
Mademoiselle
Pogany II is another artwork that I feel a
connection with because of its beautiful, golden curves, which inspire an
upbeat feeling in me, similar to Orange and Yellow. It looks like an
abstraction of a woman that has stripped away all details except the soft
curves and long eye lashes, but it could just as easily be a bird of some kind.
I am not sure what the back of it represents, but the arcs in the shape could
be hair, or even feathers. I know that this sculpture is of a woman, but I am
intrigued by the abstraction to the point that it resembles a sleek bird.
Picasso’s
Nude Figure is confusing to me because I cannot figure out what lines
represent what parts of the nude, but that is also what makes me curious to
know more about it. I know that he was one of the creators of Cubism, but I
would like to know more about the movement because of how influential it was on
the world of abstract art. Non-representational art is something that I am
starting to be open to because I have always felt that it was not art; I am
learning, however, that realism is only one of many genres within the world of
art, and it is not what defines art. Also, I would like to know why Nude
Figure is so dark.
By
far the most intriguing artwork that I experienced at the Albright-Knox (though
I only stayed on the first floor for this visit), was Magritte’s La Voix des
airs (The Voice of Space). I am a fan of science fiction and this painting
looks like it comes straight out of Star Wars dream. I am learning about the
Surrealists and I am also very intrigued by their exploration of the
subconscious and dreams. I am not sure what is going on in La Voix des airs
(The Voice of Space), but I think it is interesting, nonetheless. Are the
orbs taking off into space or are they just hovering? Is this a nightscape in
the mountains or some strange dream? The painting purposefully does not answer
these questions, leaving me to wonder, which is why I am so intrigued by it.
References
1) Jehan Georges Vibert
French, 1840-1902
The Marvelous Sauce, ca. 1890
oil on wood panel
support: 25 3/16 x 31 15/16 inches (63.98 x
81.12 cm); framed: 40 x 47 x 5 inches (101.6 x 119.38 x 12.7 cm)
Collection Albright-Knox Art Gallery, Buffalo,
New York
2) Jackson Pollock
American, 1912-1956
Convergence, 1952
oil on canvas
support: 93 1/2 x 155 inches (237.49 x 393.7
cm); framed: 95 1/4 x 157 1/8 x 3 inches (241.94 x 399.1 x 7.62 cm)
Collection Albright-Knox Art Gallery, Buffalo,
New York
3) Mark Rothko
American, born Daugavpils, Russia
(now Latvia), 1903-1970
Orange and Yellow, 1956
oil on canvas
support: 91 x 71 inches (231.14 x
180.34 cm); framed: 93 1/2 x 73 1/2 x 3 inches (237.49 x 186.69 x 7.62 cm)
Collection Albright-Knox Art Gallery, Buffalo,
New York
4) Constantin Brancusi
Romanian, active in France, 1876-1957
Mademoiselle Pogany II, 1920
bronze
base: 7 x 8 1/2 x 9 inches (17.78 x 21.59 x
22.86 cm); sculpture: 17 1/4 x 7 x 10 inches (43.81 x 17.78 x 25.4 cm);
overall: 24 1/4 x 8 1/2 x 10 inches (61.59 x 21.59 x 25.4 cm)
Collection Albright-Knox Art Gallery, Buffalo,
New York
5) Pablo Picasso
Spanish, 1881-1973
Nude Figure, late spring 1910
oil on canvas
support: 39 in x 30 3/4 in; framed: 50 1/2 x
42 x 4 1/2 inches (128.27 x 106.68 x 11.43 cm)
Collection Albright-Knox Art Gallery, Buffalo,
New York
6) René Magritte
Belgian, 1898-1967
La Voix des airs (The Voice of Space), 1928
oil on canvas
support: 25 1/2 x 19 1/2 inches (64.77 x 49.53
cm); framed: 33 x 27 x 3 inches (83.82 x 68.58 x 7.62 cm)
Collection Albright-Knox Art Gallery, Buffalo,
New York
I like that you are learning to appreciate abstract expressionist art. I've always liked it. It reminds me of dance. It's something that you feel as both the artist and the viewer.
ReplyDeleteI didn't choose any of the artworks you chose for this project, and I find your choices interesting! I'm also becoming more interested in non-representational art. I feel it has a lot to say, and sometimes abstract art conveys more emotion than realism.
ReplyDeleteI thought that the way that set up your posting was very beneficial, and I really thought that it made your project easy to read. The project was well understood and you conveyed how you felt and why you choose what you did for each question asked. Overall you hit all of the major points of the assignment and explained the choices of every artwork. The way that you described or talked about why each painting, sculpture or other media was chosen enhanced your work. I thought that the artwork that you chosen was inspirational and I agree with a lot of the points you made. I really enjoy a lot of the similar works that you decided to talk about.
ReplyDelete